A haunting and beautiful short film….

A friend of mine sent me a video about the discovery of a new dinosaur’s fossil, which lead to something else, which lead to something else… and I stumbled across this super-short film that was haunting, a little creepy, and beautiful. It felt very 34O in its vibe, so I thought I’d share the link with our readers (it’s free to watch).

The film is called “they come out at night.” and was directed by Directed by Christian Szczerba in 2022. I don’t know him and am not familiar with his work, but it does seem like other things on his channel, Moon Prod, might be interesting.

Here’s that link. Happy Sunday!

Recommended Film: STOPMOTION

There were several enticing trailers on the DVD Late Night with the Devil that I’d purchased, but the one that looked the most fresh and original was called Stopmotion—about a struggling stop motion filmmaker who suddenly is confronted with her creations coming to life.

Stopmotion movie poster

I’m going to be spoiler-free, here; this movie is excellent, and for those who enjoy what we publish in 34 Orchard, this is most likely for you.

This is a quiet little film, but where it excels is in its creepy imagery; certainly, anyone who loves stop motion animation—and is especially enamored with its inherent creepiness—should not miss this. One of this film’s highlights is the stop motion aspect, and it grounds us solidly in the mechanics of that deftly before throwing a huge wrench in it. The atmosphere is haunting and claustrophobic, but effectively sparing. The acting is fantastic.

Story-wise, all of the elements are sound. Although I found it rather obvious what was happening, I appreciated that, as this was the kind of subject matter in psychological horror that can get super-murky if not in the hands of an expert. The fact that it was stunningly clear left room for the viewer’s focus on savoring the atmosphere, gorgeous special effects, and serious, under-the-skin creep factor.

There is some body horror, but it’s story-necessary, fresh, classy, and effectively delivers a toe-curling gut punch. I don’t like gross unless it’s done right and it’s for just the appropriate amount of screentime. I’d consider Stopmotion’s body horror to be a gold standard for the way it should be executed.

This film is similar in mood and intensity to Black Swan, so if that movie floated your boat, then this one will, as well. It’s available on SHUDDER, but if you don’t have that, it is available to rent from Amazon Prime, YouTube, Google Play, Roku, Sling, and a few others, so just Google Stopmotion movie to see if your fave streaming service is carrying it.

Enjoy Issue 4’s cover? Take a gander at the artist’s other work!

If you enjoyed Issue 4 (Autumn 2021)’s cover art—Walter H. Von Egidy’s The Ghosts of the Fair—then you’ll enjoy this post, where you’ll get to see some of his other art.

His 34 Orchard bio:

Walter H. Von Egidy (Cover Art/The Ghost of the Fair) is an American artist, painter and film maker known for his Super 8 photoplays and enamel/oil paintings.

He has had his work exhibited at Gallery 13, The Burnham Library, Housatonic Art League and the White Silo. He has seven finished portrait commissions and private and public collections including a portrait of composer Franz Waxman at Byrd Library, Syracuse University. His work has won first place at various film festivals including the United States Super 8 Film Festival at Rutgers University. He is the owner of New Milford Sign Shop and Von’s Studio. Most recently, his painting “Saturday Night in the Caverns” was chosen as the cover for writer Bob Deakin’s collection, Unruly Mix (Tales of Music, Artists, Posers and Misfits. You can see more of Walter’s work and contact him at www.walterhvonegidy.com.

Walter Von Egidy Art Show Welcome Sign

Every March, Von Egidy holds an exhibit of his works—many of them new—at the Burnham Library in Bridgewater, Connecticut. It’s always a stellar event, with many people we know from town as well as a chance to enjoy Walter’s work up close. One thing about his art—it’s Dali-esque, it’s colorful, and there’s always a good bet you’ll find a piece that speaks to you.

2 Colorful Wall 1

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