Enjoy Issue 4’s cover? Take a gander at the artist’s other work!

If you enjoyed Issue 4 (Autumn 2021)’s cover art—Walter H. Von Egidy’s The Ghosts of the Fair—then you’ll enjoy this post, where you’ll get to see some of his other art.

His 34 Orchard bio:

Walter H. Von Egidy (Cover Art/The Ghost of the Fair) is an American artist, painter and film maker known for his Super 8 photoplays and enamel/oil paintings.

He has had his work exhibited at Gallery 13, The Burnham Library, Housatonic Art League and the White Silo. He has seven finished portrait commissions and private and public collections including a portrait of composer Franz Waxman at Byrd Library, Syracuse University. His work has won first place at various film festivals including the United States Super 8 Film Festival at Rutgers University. He is the owner of New Milford Sign Shop and Von’s Studio. Most recently, his painting “Saturday Night in the Caverns” was chosen as the cover for writer Bob Deakin’s collection, Unruly Mix (Tales of Music, Artists, Posers and Misfits. You can see more of Walter’s work and contact him at www.walterhvonegidy.com.

Walter Von Egidy Art Show Welcome Sign

Every March, Von Egidy holds an exhibit of his works—many of them new—at the Burnham Library in Bridgewater, Connecticut. It’s always a stellar event, with many people we know from town as well as a chance to enjoy Walter’s work up close. One thing about his art—it’s Dali-esque, it’s colorful, and there’s always a good bet you’ll find a piece that speaks to you.

2 Colorful Wall 1

3 Colorful Wall 2 Continue reading “Enjoy Issue 4’s cover? Take a gander at the artist’s other work!”

Writers: Weigh-in on the impact of AI on our community

AI/LLM writing is a hot-button topic right now in the publishing and literary communities.

Humanity in Fiction (https://humanityinfiction.org) would like to gather the opinions of writers, readers, and others in the publishing industry in an effort to collect data on AI in the process. The organization plans on doing this annually, and the survey shouldn’t take more than about five minutes of your time.

Here is the survey’s direct link: https://sy5qybdoqjl.typeform.com/to/lZdyZvjJ, or, you can access it from the Humanity in Fiction homepage at https://humanityinfiction.org. Feel free to also share this with your writing community peers.

We know that many writers follow our 34 Orchard blog, and so we wanted you all to know about this opportunity to weigh in on this important topic, and how it affects you as a writer. They don’t collect any personal information or your email address (and you can even opt out of entering your name), but your opinion counts! Please support the efforts of Humanity in Fiction.

Thank you!

We’re still making decisions…AND ANNOUNCING OUR SPRING 2023 COVER!

We’re still finishing up our decisions, and so we have about a hundred more submissions to go through. Everyone will receive an answer by February 28. If you want to check in on the status of your piece before then, please give us a shout at 34orchardjournal@gmail.com.

Meanwhile, we’re thrilled to announce the cover of our Spring 2023 issue, featuring Optic Nerve by Page Sullivan. We’re very excited!

34 ORCHARD ISSUE 7 SAMPLE COVER

The Spring 2023 Submissions Window is Now Closed

Thank you all for your submissions! Our window for the Spring 2023 issue is now closed. If you have submitted and have not yet received a response from us yet, you will receive a response no later than February 28.

If you need to contact us regarding withdrawing a submission, you can reach out to us through our Contact Page, or send an email to 34orchardjournal@gmail.com.

Enjoy the nice weather when it finally arrives! We will be open for submissions for the Autumn 2023 issue from July 1 – July 15, 2023.

Our apologies — broken link…Welcome, 2023! 34 ORCHARD taking submissions now through January 15!

Thanks to those of you who wrote in letting us know that our link to the “Manuscript Polish Checklist” was broken. We can’t correct it on the email that previously went out, so here is a re-post with the corrected link so you’ll have it right in your email.

Thank you for supporting 34 Orchard!

We hope your holidays and end-of-year festivities were magical … now it’s time to get back to work!

34 Orchard’s Spring 2023 submissions window is now open! We will only be open from January 1 – 15, 2023, so if you’re planning on submitting, please keep in mind that anything after January 15, 2023, will be deleted unread (and yes, we adjust for all worldwide time zones. So that’s after January 15 at 11:59pm wherever you are).

Need to do a quick final polish on your piece? Check out our Manuscript Final Polish checklist here: https://34orchard.com/2022/06/18/sixty-second-sub…polish-checklist/

Please refer to our guidelines for information on how to submit. Check that out here at https://34orchard.com/guidelines/, and we look forward to reading your work!

Welcome, 2023! 34 ORCHARD taking submissions now through January 15!

We hope your holidays and end-of-year festivities were magical … now it’s time to get back to work!

34 Orchard’s Spring 2023 submissions window is now open! We will only be open from January 1 – 15, 2023, so if you’re planning on submitting, please keep in mind that anything after January 15, 2023, will be deleted unread (and yes, we adjust for all worldwide time zones. So that’s after January 15 at 11:59pm wherever you are).

Need to do a quick final polish on your piece? Check out our Manuscript Final Polish checklist here: https://34orchard.com/2022/06/18/sixty-second-sub…polish-checklist/ It’s a JPEG, so you can save the list and keep it handy or print it to use for all of your subs in 2023.

Please refer to our guidelines for information on how to submit. Check that out here at https://34orchard.com/guidelines/, and we look forward to reading your work!

ISSUE 6 IS HERE!

A shocking occurrence unmasks a professor and a ne’er-do-well covers up the truth. A machine exposes the past and lies linger between a dinner’s courses. A bijou boogeyman unleashes a daughter’s rage while ordinary colors and unusual mattresses strip away the pretense of composure. In Issue 6, seventeen artists brood on the secrets we keep, and what happens when they are exposed.

ISSUE 6 COVER

The downloadable PDF is designed so that it can be printed on double-sided paper for easy reading like a print magazine. As always, the issue is free, but there is a donation link should you choose to contribute.

Click here to get your copy!

If you like what you’ve read, spread the word! We’ve also started up some resource content for both writers and readers on our blog, so consider signing up to get those posts right in your email. There’s an email sign up at the bottom of the page.

ISSUE 6 ARRIVES THIS THURSDAY!

It’s almost here! Autumn 2022 features a dark tale from India, disturbing looks at real-life events, emotional pieces by newer voices and scary stories by names that frequently haunt anthology tables of contents. Why, even the cover photo has an unsettling tale behind it! Our sixth issue is what you’ll want waiting when you take your break from prepping for the busy holiday season.

ISSUE 6 COVER

Cover Art: Ophelia’s Last Secret – Robert Cedergren

Shrike Song – Zachary Kellian

The Beginning of You – Samantha Bryant

The Gritter – Kurt Newton

The Baron of the Rails – Kurt Newton

The Dusk of Day-shapes – David H. West

And Satyrs Shall Dance There – John Berbrich

The Yakshi Next Door – Hareendran Kallinkeel

Head – Mark Steensland

Memory Foam – Rowan Hill

Her Color – Grace Rolen

Step on a Crack – Jake Jerome

Birthday Dinner, May 28. – Jennifer Judge

All Aboard – KC Grifant

Young People in Love – Sam Lesek

Ugly Cinderella – Molly Greer

Insert Name Here – J. Paul Ross

You’ll be able to download Issue 6 right from our Issues page here in just under two days!

Comfort through fiction

While many read to escape, one of the most magical reading experiences is in finding something that understands you; something that makes you feel not alone. That’s one of our missions here at 34 Orchard—to find work that speaks to the painful things in ourselves and our lives in the hopes that it will bring comfort. Even though it might seem counterintuitive, sometimes, healing begins when someone—even a stranger—says I see you.

This essay—James Harvey’s “ A Survivor Looks At Lovecraft”—discusses this idea. We thought our readers might enjoy it.

The link to where it appears in Deep Cuts in a Lovecraftian Vein is here: https://deepcuts.blog/2022/09/03/a-survivor-looks-at-lovecraft/

Micro-focused Master Toolbox Online Writing Workshops starting September 28!

MASTER TOOLBOX SERIES ART 34O

We’re thrilled to announce Trisha J. Wooldridge and Kristi Petersen Schoonover (34O editor) will be hosting an online Master Toolbox Series for writers that micro-focuses on specific skills. There’s one session a month and, at $35/each, they’re affordable; you can take just one, multiples, or, if you wish, all of them at a discounted price. They’re also keyed to any skill level. Proceeds support both the New England Horror Writers and 34 Orchard. Details and how to register below.

Tools of the writing trade need a sharpen? Need to pick up some new ones? No worries! Beginning in September, 2022 and monthly through February, 2023, the New England Horror Writers will present two hour Zoom webinars (which will include exercises and time for Q&A) that delve deep into the specifics of craft and business skills!

Open to the general public and NEHW members, each class will focus on a specific topic. Instructors are Kristi Petersen Schoonover and Trisha J. Wooldridge.

If you’re looking to build some new skills, these micro-focused, affordable classes are the way to go—and yes, we have plans to offer subsequent sessions with different topics every fall-winter going forward!

Here’s the full schedule:

Wednesday, September 28, 2022 – 7—9 pm

Story Openings Blueprint

We’ve only got one sentence to hammer that “you must keep reading me!” message home—and many writers don’t realize that sometimes, a piece getting moved out of slush is dependent on the strength of that one sentence. From do’s and don’ts to mining and can’t-miss criteria, this class gives the blueprint for great openers.

Wednesday, October 12, 2022 – 7—9 pm

Excess Hardware: Wordiness and Filter Phrases

We build stories from words and phrases—but sometimes we use more hardware than necessary to get the job done! This course teaches how to thoroughly inspect the piece to identify extra words and filter phrases and how to remove them for a cleaner reading experience.

Wednesday, November 16, 2022 – 7—9 pm

EnTITLEment: Top-Notch Titles

A title isn’t just a label in My Documents. A good one should tell the editor or reader something about the story—right down to its tone. EnTITLEment provides the tools to nail a top-notch title every time, so that it not only stands out in an editor’s inbox—it pops in a ToC!

Wednesday, December 14 – 7—9pm

The Architecture of the Submissions Process

There’s more to the submissions process than just clicking send. We’ll offer plenty of insider tips on everything from formatting, market searching and close reading of guidelines to cover letters and bios to ensure pieces get considered. We’ll also cover other mechanics like tracking and how to develop structured—but easy—processes that guarantee we don’t inadvertently screw ourselves.

Wednesday, January 25 – 7—9pm

Dampproofing Dialogue

At best, dialogue can say a lot about characters, make them leap off the page, and be incredibly memorable; at worst, it can waterlog the pacing, tell instead of show, turn the story into a boring lecture and quite literally, say nothing. We’ll not only study how to write effective dialogue that makes characters feel organic, we’ll look at formatting, dos and don’ts, and how to make choices about what comes out of people’s mouths.

Wednesday, February 22 – 7—9pm

Nailing Theme

When it comes to theme, many of us probably didn’t feel like the sharpest tool in the shed that was high school English—but as writers, understanding theme is crucial: it’s the support beam of the story. We’ve got a fool-proof, easy way to identify theme and thematic statement, and we’ll teach its use in building a story that will stand the test of time.

Class materials will be sent to registrants ahead of time via email and are included in the $25 NEHW Member/$35 NON-NEHW Member fees. You can sign up for any combination of classes. Want to buy access to ALL SIX webinars? You can do that too: Member price for all six webinars is $130; Non-member price is $175.
Registration for NEHW Members:
https://wickedcreativellc.submittable.com/submit/231651/nehw-members-master-toolbox-webinar-series

Registration for Non-paid Members:
https://wickedcreativellc.submittable.com/submit/232874/nehw-non-members-master-toolbox-webinar-series